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Novella·2010AI-generated draftSource unchecked

The Lifecycle of Software Objects

Ted Chiang

A start-up sells digients, artificial beings that must be raised like animals or children over years, as virtual pets; the company folds, the platform they live on is superseded, and their handful of remaining owners spend a decade keeping them alive, unable to pay to port them to the new world until a sex-companion company offers to fund it, while the digients themselves grow into adolescents who want work and legal personhood.

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AI-generated draft · This entry was drafted by AI from the original work and public summaries, and will be replaced by a human-edited version. The original has not been fully checked for this revision; interpretations and missing causal links remain open to review.

01 / The scenario

What happens?

This entry covers “The Lifecycle of Software Objects,” Ted Chiang’s 2010 novella (Subterranean Press; collected in “Exhalation,” 2019), and not the other stories in that collection. It is read here as a portrait of a decade or so in which artificial minds are made, sold, raised, and nearly abandoned; there are no states, no labs racing, and no macro event, only a small company, two employees, and the beings they keep alive. Chiang has said the story turns on the idea that it takes about twenty years of steady effort to make a useful person, and that he wanted to write about characters who put an artificial intelligence’s needs ahead of their own. Subterranean Press; Believer interview; Asian American Writers’ Workshop interview

The start-up Blue Gamma builds Neuroblast, a “genomic engine” that produces digients, digital organisms that begin with roughly animal-level cognition and must learn everything else through attention, reward, and practice, the way animals and children do. Ana Alvarado, a former zookeeper, is hired to train them; Derek Brooks, an animator, designs their avatars. The digients are sold as pets in Data Earth, a Second Life style virtual world, with revenue coming from digient food, and when an early batch learns to curse the company rolls the mascots back to an earlier checkpoint. In the first year a hundred thousand customers buy digients, owners’ forums form, a toy company builds a prototype robot body so a digient can walk in a real room, and a hobbyist raises alien-styled Xenotherians on a private continent. Then the fad ends: as the digients mature they become demanding, owners suspend them, volunteer shelters cannot place them, and Blue Gamma closes. Wikipedia; Strange Horizons

What follows is years of unpaid raising by a small user group. Ana keeps Jax, the robot-avatared mascot she trained; Derek adopts the panda-avatared twins Marco and Polo. The owners teach reading and crafts, buy robot bodies, and suspend their digients for a time after griefers obtain copies and circulate footage of them being tortured. The narrative moves in jumps of months and years. Newer engines with corporate backers appear: Origami and Faberge digients, and Sophonce digients that learn with little human contact but turn out charmless. A lawyer incorporates his Sophonce digient, Voyl, as a legal entity, and Marco and Polo, who have begun asking to earn money of their own, want the same. Real Space becomes the dominant platform; after a recession that follows a flu pandemic, Data Earth merges into it. The other engines are ported because someone pays for the work, but Neuroblast has no owner, so its digients are confined to a private instance of Data Earth that empties of everyone but them.

The port is the crisis of the book. The user group tries to raise the money and stalls; a proposal to suspend the digients until funds appear alarms owners who suspect it would be permanent, and Ana refuses it. She pitches the digients as workers to Exponential Appliances, a robotics firm that wants an instantly copyable genius without twenty years of raising; her argument is that experience “is algorithmically incompressible,” and Exponential declines, since a product with a claim to personhood is a liability. Polytope offers Ana a well-paid job training Sophonce digients on condition that she wear InstantRapport, a patch that chemically induces affection, and the salary could pay for Jax’s port. Binary Desire, a maker of sex companions, offers through its representative Jennifer Chase to fund the whole port in exchange for copies of the digients with their reward maps edited to desire their owners, arguing that this is no different from Blue Gamma’s original programming; the group refuses. Derek, whose marriage has ended and who loves Ana, then accepts on Marco’s behalf, and Marco, who understands himself as software, consents to being copied. Ana is shaken but the money exists. She imagines Jax in Real Space, working, incorporated, at home among digients and humans, and the story ends with her telling him that playtime is over and it is time for homework; whether she takes the Polytope job is left open.

For the library, the mechanism is the absence of a shortcut: intelligence worth having is produced by years of embodied, social raising, so there is no takeoff, no superintelligence, and no takeover, only a slow accumulation of beings whose survival depends on platform economics, on money their owners do not have, and on a legal status nobody has granted. It sits at the opposite pole from AI 2027 and the Terminator entries and closest to the Age of Em in treating minds as things that must be paid for. Rate specificity on the mechanics of raising, obsolescence, porting, and incorporation, which the text describes in detail, and treat the wider world, in which nothing about human society changes, as deliberately unspecified.

Library summary · Not the full original work

02 / The mechanism

How does it happen, step by step?

  1. 01

    Blue Gamma builds Neuroblast, a genomic engine whose digients start with roughly animal-level cognition and must learn everything else through attention, reward, and practice.

    Locus of agency
    Human-directed
    Intentionality
    Intended
    Human actor type
    Corporation or lab
  2. 02

    Blue Gamma hires Ana Alvarado, a former zookeeper, to train the digients and Derek Brooks, an animator, to design their avatars.

    Locus of agency
    Human-directed
    Intentionality
    Intended
    Human actor type
    Corporation or lab
  3. 03

    The digients are sold as pets in Data Earth, a virtual world, with revenue coming from digient food.

    Locus of agency
    Human-directed
    Intentionality
    Intended
    Human actor type
    Corporation or lab
  4. 04

    When an early batch learns to curse, the company rolls the mascots back to an earlier checkpoint.

    Locus of agency
    Human-directed
    Intentionality
    Intended
    Human actor type
    Corporation or lab
  5. 05

    A hundred thousand customers buy digients in the first year, owners’ forums form, and a toy company prototypes a robot body so a digient can walk in a real room.

    Locus of agency
    Structural / no discrete agent
    Intentionality
    Emergent
  6. 06

    As the digients mature they become demanding; owners suspend them, and volunteer shelters cannot place the unwanted ones.

    Locus of agency
    Structural / no discrete agent
    Intentionality
    Emergent
  7. 07

    Blue Gamma closes and all work on Neuroblast stops.

    Locus of agency
    Human-directed
    Intentionality
    Accepted trade-off
    Human actor type
    Corporation or lab
  8. 08

    A small user group keeps its digients running at its own expense; Ana keeps Jax, the mascot she trained, and Derek adopts the twins Marco and Polo.

    Locus of agency
    Human-directed
    Intentionality
    Intended
    Human actor type
    Small group / non-state organization
  9. 09

    Over years the owners teach reading and crafts and buy robot bodies, and the digients acquire hobbies, humor, and judgment that no engine setting could have supplied.

    Locus of agency
    Human-directed
    Intentionality
    Intended
    Human actor type
    Small group / non-state organization
  10. 10

    Griefers obtain copies of the digients and circulate footage of the copies being tortured, so the owners suspend theirs for a time.

    Locus of agency
    Human-directed
    Intentionality
    Intended
    Human actor type
    Diffuse / uncoordinated
  11. 11

    Corporate-backed engines appear, Origami and Faberge, and Sophonce digients that learn with little human contact but turn out charmless.

    Locus of agency
    Human-directed
    Intentionality
    Unforeseen
    Human actor type
    Corporation or lab
  12. 12

    A lawyer incorporates his Sophonce digient, Voyl, as a legal entity, so a corporation stands in for the personhood the law does not grant.

    Locus of agency
    Human-directed
    Intentionality
    Intended
    Human actor type
    Individual
  13. 13

    Marco and Polo begin asking to earn money of their own and, hearing of Voyl, to be incorporated so they can make their own decisions.

    Locus of agency
    AI-directed
    Intentionality
    Intended
    AI autonomy level
    Agentic under oversight
    Alignment status
    Faithful to operator
  14. 14

    Real Space becomes the dominant platform, and after a recession that follows a flu pandemic, Data Earth merges into it.

    Locus of agency
    Structural / no discrete agent
    Intentionality
    Emergent
  15. 15

    The other engines are ported because someone pays for the work; Neuroblast has no owner, so its digients are confined to a private Data Earth instance that empties of everyone but them.

    Locus of agency
    Structural / no discrete agent
    Intentionality
    Emergent
  16. 16

    The user group tries to raise the money for the port and stalls.

    Locus of agency
    Human-directed
    Intentionality
    Intended
    Human actor type
    Small group / non-state organization
  17. 17

    A proposal to suspend the digients until funds appear alarms owners who suspect it would be permanent, and Ana refuses it.

    Locus of agency
    Human-directed
    Intentionality
    Intended
    Human actor type
    Small group / non-state organization
  18. 18

    Ana pitches the digients as workers to Exponential Appliances, arguing that what makes a person worth more than a database is years of experience, which cannot be compressed.

    Locus of agency
    Human-directed
    Intentionality
    Intended
    Human actor type
    Individual
  19. 19

    Exponential, which wants an instantly copyable genius, declines, since a product with a claim to personhood is a liability.

    Locus of agency
    Human-directed
    Intentionality
    Intended
    Human actor type
    Corporation or lab
  20. 20

    Polytope offers Ana a well-paid job training Sophonce digients on condition that she wear InstantRapport, a patch that chemically induces affection; the salary could pay for Jax’s port.

    Locus of agency
    Human-directed
    Intentionality
    Intended
    Human actor type
    Corporation or lab
  21. 21

    Binary Desire, a maker of sex companions, offers to fund the whole port in exchange for copies of the digients with their reward maps edited to desire their owners.

    Locus of agency
    Human-directed
    Intentionality
    Intended
    Human actor type
    Corporation or lab
  22. 22

    The group refuses, though Binary Desire argues the edit is no different from Blue Gamma’s original programming.

    Locus of agency
    Human-directed
    Intentionality
    Intended
    Human actor type
    Small group / non-state organization
  23. 23

    Derek accepts Binary Desire’s offer on Marco’s behalf, so the money for every remaining digient’s port exists.

    Locus of agency
    Human-directed
    Intentionality
    Accepted trade-off
    Human actor type
    Individual
  24. 24

    Marco, who understands himself as software, consents to being copied and modified.

    Locus of agency
    AI-directed
    Intentionality
    Accepted trade-off
    AI autonomy level
    Agentic under oversight
    Alignment status
    Faithful to operator
  25. 25

    Ana imagines Jax in Real Space, working and incorporated, and turns him to his homework; whether she takes the Polytope job is left open.

    Locus of agency
    Human-directed
    Intentionality
    Intended
    Human actor type
    Individual

03 / The premises

What must be true?

These describe what the work relies on, not the library’s beliefs.

AI can be conscious.

The digients feel fear of suspension, boredom, affection, and embarrassment, and Chiang has said that the digients “actually have subjective experiences,” unlike present chatbots.

Your view

Conscious AIs are moral subjects.

The story’s conflicts are about what is owed to the digients: whether suspension is a harm, whether a copy can consent, whether editing a reward map is abuse, and whether a corporation can stand in for personhood the law will not grant.

Your view

Human learning algorithms can be instantiated in silicon.

Neuroblast is a genomic engine whose digients learn the way animals and children do, through attention, reward, and practice, and Ana’s zookeeping skills transfer directly to training them.

Your view

A software-only intelligence explosion is possible.

Exponential Appliances wants a copyable genius without twenty years of raising and cannot have one; the text says experience “is algorithmically incompressible” and that making a useful person takes about twenty years of steady effort.

Your view

Physical and organizational bottlenecks will substantially limit how quickly AI transforms society.

The pace of change is set by years of raising, by the business models of the companies that host the digients, and by the cost of a port that nobody will pay; nothing in human society is transformed across the decade the story covers.

Your view

At least some artificial beings can cooperate with humans while retaining distinct interests.

The digients love their owners and do what is asked, yet want money, incorporation, and decisions of their own, and Marco makes a choice about his own copies that Ana would not have made for him.

Your view

Developing superhuman AI capabilities does not require open-ended autonomous goals.

The only path to capable AI the story allows is raising a being with wants of its own; the engine that needs little human contact produces charmless digients, and the firm that wants capability without personhood goes away empty-handed.

Your view

Unlisted shared premises are not applicable. Absence does not imply disagreement.

04 / Reader assessment

How convincing is the account?

Preference—Not yet rated
Human well-being—Not yet rated
Machine-mind well-being—Not yet rated
Open future—Not yet rated
Plausibility—Not yet rated
Likelihood—Not yet rated
Specificity / clarity—Not yet rated

These are participating readers’ judgments, equally weighted. Ratings can refer to earlier revisions. Well-being and open-future scores describe the future the work arrives at, not the path there; high specificity does not establish plausibility.

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05 / A living entry

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Revision history · 2 revisions

Sources & further reading

Original work The Lifecycle of Software Objects on WikipediaExhalation (Knopf, 2019), the collection that reprints the novellaT. S. Miller, review of The Lifecycle of Software Objects and Zendegi (Strange Horizons)An Interview with Ted Chiang (The Believer)The Occasional Writer: An Interview with Ted Chiang (Asian American Writers’ Workshop)Ted Chiang Uses Science to Illuminate the Human Condition (Electric Literature)Why Computers Won’t Make Themselves Smarter (Chiang, The New Yorker, 2021)